zombie movie analysis

zombie movie analysis next, make an argument about whether the myths (themes), conventions (plot patterns), and iconography (characteristic look and sound) of the many facets of the horror genre has changed – or remained the same – from one period to another.
• Similarities and differences should be apparent on a single viewing of each film. Being of the same genre, your two films will have clear similarities. Be mindful of the myth of the genre you are exploring; what is each film’s attitude toward the myth? Differences in visual / aural / narrative design, dialogue, and settings may be clear or subtle. Your assignment boils down to two things:
1) are you detecting similarities and differences between the films, based on your knowledge of genre, and 2) what do YOU think is more interesting about the pair of films: their similarities, or their differences and why?
• A standard thesis statement, therefore, would run along one of two lines:
o “Despite the generic similarities between these two films, their differences in
[visual / narrative style, dialogue, editing, pacing, etc.] demonstrate the changing definitions of the ‘Other’ and how society/culture constantly grapples with representations of the horrific.”
o “Despite the stylistic differences between these two films, the strong adherence to traditional notions of normality in both the classical/post-classical and modernist/post-modern period demonstrates that the Other (i.e. monster, killer, supernatural entity) remains a potent figure of difference/exclusion.”
o Of course, you don’t have to take one of the approaches above, but they are standard approaches and recommended if you are having difficulty framing an argument.

Be sure to relate similarities or differences to socio-historical and/or industria changes.
• Be sure to provide textual or thematic analysis to key scenes from both films as
evidence to the claim made in your thesis statement.
• For instance: How does the representation of the characters and conflict reflect
the anxieties of your chosen films’ socio-cultural and historical moment? (e.g.,
Vietnam War, Civil Rights, fascism, cloning).
• Additional concerns may include discussion of gender, race, class,
homosexuality/homoeroticism, ideology, and/or how technological/industrial developments (e.g., sound, color, special effects, the Studio System, etc.) may have impacted the film’s style and content. Remember, with films between 1934-1967 (i.e., the Production Code era), the more controversial ideas will likely be coded as subtext and not immediately obvious from a surface reading.
• Of special concern to the horror genre should be any representations of “the Other” (whether it be a serial killer, alien, ghost, ghoul, or some other inhuman) and how it may embody a film’s zeitgeist.

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